David Bowles talks about mic techniques, 3-D audio, a history lesson about stereo technology, World War II, and something called the “Magnetron”.
Interviews
Sam Jacobson interviews Nicholas McGegan and David v.R. Bowles about creating and capturing art in new era.
Jody Michelle Solis talks to David about 3D Audio and audio tips for students recording for film.
In an interview with When Steel Talks distinguished producers David Bowles and Paul Geluso share their thoughts on the future of immersive works today and tomorrow, and the day after.
Digital Audio Denmark profiles David's background and talks with him about tips for recording and his use of their AD/DA converter.
Colby Ramsey asks David about some of the latest microphone options, and asks whether there’s a need for quite so much variety.
David Bowles explains in scientific terms: Records are not better than CD’s.
An audiophile loves good sound and good music, and strives to extract great sound from quality recordings in order to experience music to its fullest.
David takes Matt (Working Class Audio) through the complexities of recording and producing in the world of classical music.
Interview from the "Tips From the Professionals" chapter.
Kit Plus talks to David about his purchase of the DAD AX32 A-to-D/D-to-A converter.
David Goggin talks to David about his purchase of the DAD AX24 AD/DA converter.
Shirley Kristen reveals the many facets of David Bowles’s work as sound engineer and producer. In several video segments, they cover a wide range of topics including his musical background and career turn; recording techniques in different venues and much more.
Pianist Shirley Kirsten interviews David in Berkeley. (Series of three videos.)
SADiE News talks to David about the Prism Audio Orpheus Firewire interface.
David Vickers spoke to David Bowles about making Handel opera recordings at the Göttingen Handel Festival, recording Alessandro Scarlatti's cantatas with The Arcadian Academy, and the dangers of Repetitive Strain Injury (RSI).